A Comic Book Review: The Axeman Cometh by Darrell Smith & The PXD

The Axeman Cometh is a Southern Gothic Noir comic book by writer Darrell Smith and illustrator the PXD. The story chronicles the journey of Robert Flint, a private investigator who is hired by the influential southern debutant Virginia Westmire to track down the man who murdered her family.

When the comic opens Flint’s been on a quest to catch the Axeman for months, has followed his blood-soaked trail to Jacksonville Mississippi and as Flint begins to recount the chain of events that led him to this point the reader is treated to an exhilarating tale of mystery and horror.

Smith’s precise and sharp writing approach makes for a pacy read; while his easy-flowing conversational style transports us back to 1920s America, his exquisite plotting allows him to subtly drop in clues and plot twists right under the readers nose. The tale has a thread of intrigue running straight through it which is only enhanced by the PXD’s beautifully rendered illustrations.

The artist’s work on this title is nothing short of breath-taking, his depictions of the characters and settings have a cinematic flare that puts the reader in mind of a Hitchcock thriller but it is the attention to detail in every page that gives the project it’s visual depth. Expertly concealed within the backgrounds of each panel is an individual shout out to everyone who backed the book’s creation on Kickstarter. Some are understated, some are humorous and others are gorgeously innovative.

From a visual perspective hats must also be tipped to Rob Jones of Madius Comics whose clear and skill full lettering aided the narrative’s smooth flow. A considerable creative salute is also in order for the story’s colourist Saad Azim whose addition of a vivid and unique palette works on multiple levels.

The Axeman Cometh is a darkly powerful Southern American yarn full of inventive techniques; it shall doubtlessly prove to be a refreshing addition to the independent comics industry and will keep you guessing ‘til the very end.


A Few Words for Manchester

In the wake of the evil attack in Manchester on Monday the 22nd of May 2017, the whole nation stands together in shock, heartbreak and solidarity for the victims and their families. There are no words that can truly sum up the senseless barbarism that caused this tragedy or do justice to the bravery of the people affected by it. But as I am a writer,  language is the only currency with which I can pay my respects to all those lost and suffering: allow me to share with you these few words.

Only light can conquer darkness

Only courage can transcend fear

Only unity can heal division

Only love can vanquish hatred.

Manchester, we love you.

The Blog Post of Awesomeness

Greetings dear reader, ‘tis I, your humble blog-keeper and hat-sporting wordsmith back once again to inject a long-overdue dose of Random Lunacy into your consciousness. It’s been quite a while since I’ve posted anything on this here blog because I’ve been on what I like to call a creative excursion.

The last few weeks have seen me fly into an almost constant state of artistic alchemy, exploring ideas, genres and mediums that have interested and enthralled me for a long time.

I’ve been working like a madman on several bits and pieces including an incredibly exciting, top-secret project that is shaping up to be one of the coolest things I’ve ever produced, if I do say so myself.

I can’t wait to tell you more about it in due course but for now, allow me to share with you another fine project that I’ve been a part of during my creative excursion…


The Vault of Awesomeness podcast is the latest brainchild of Y.A. author Ben Davis.

Ben is the vastly talented and hilarious writer of The Private Blog of Joe Cowley series and the stand-alone novels Danny Dread and My Embarrassing Dad’s Gone Viral. He is also the Lead Writer at the Polesworth branch of Writing West Midlands’ Spark Young Writers Group, the very same branch where the Assistant Writer is some fellow named George Bastow. I’ve been co-running our Spark Young Writers’ group alongside the aforementioned Mr Davis since September and it’s fair to say that our creative minds operate on the same frequency, so when he asked me to be the first guest on The Vault of Awesomeness, my answer was a swift and definite “Yeah alright, then.”

I’d be lying if I told you interviews and public speaking were inside my natural habitat, but with a concept that was pitched to me as ‘the reverse of Room 101’ how could it be anything less than… well, awesome.

In the course of our interview Ben and I slid from the deep to the downright daft as we discussed such diverse topics as disability inclusion and black pudding.

If you’ve ever wanted to hear about how I started writing, became truly inspired by the work of Darren Shan or just listen to two yampy Midlands lads messing about, this is the show for you.

The Vault of Awesomeness: Episode 1

The Tamworth Lit Fest has Arrived

The 2017 Tamworth Literary Festival is almost upon us and I thought I’d take this opportunity to tell you about some of the marvellously creative events that will be taking place throughout the town from the 3rd to the 11th of March.

As my regular readers or anyone who has ever glanced at this blog will know, I have a deep-rooted passion for the written word and love to support as many of the brilliant Midlands-based literary events as I can. So when I heard about the Tamworth Literary festival I rushed over to their Facebook page and eagerly perused their programme of events.

They have a truly diverse and interesting line-up with something for everyone from a multitude of author talks and panels to live comedy and theatre performances.

This brand new creative extravaganza begins tomorrow with highlights including an evening of comedy with Litchfield’s First Lady of stand up and award-winning writer Carol E Wyer alongside The Ministry of Improv. An event with bestselling novelist Mike Gayle, a superhero and pop culture enthused workshop lead in collaboration by the good folks from Papercraft Heroes and Custom Comic Guitars and a Thriller Panel featuring Rob Sinclair and A.A. Abbott.

Other standout events of this year’s programme are a Crime Panel with writer/actor Hugh Fraser (Captain Hastings from Poirot) Chris Collett (author of The Worm in the Bud) Stephen Booth (author of The Cooper & Fry Mystery series) and Gordon Low (author of the Black Panther: The Trails and Abductions of Donald Neilson) as well as talks from prolific local wordsmith and Tamworth Literary Festival chairman Anthony Poulton-Smith.

Not to mention the Festival’s two Book Blasts featuring an outstanding array of authors, publishers and poets including Tamworth’s own Simon Goodwin, Birmingham’s New Street author collective and many more.


For more info and dates check out the:   Tamworth Lit Fest Facebook page,

Follow them on twitter:   @TamworthLitFest


Alternativley email the Festival at: tamlitfest@gmail.com or telephone 07562653565


RIP Sir John Hurt

I was truly saddened to hear about the death of Sir John Hurt. He was without doubt one of the best British actors ever to appear on the big and small screens, lending his vast talent and distinctive voice to everything from warm and cosy animations to heart-shattering biopics in the course of a career that spanned six decades. Hurt didn’t simply portray the characters he played on film, TV and stage, he transformed into them, pulling on their flesh and slipping into their minds as easily as you or I would slip into a pair of trainers. It was this extraordinary gift that enabled him to bring us so many diverse and memorable roles, from his earliest performances in ‘A Man for All Seasons,’ and ’10 Rillington Place’ to his iconic role as John Merrick in ‘The Elephant Man’ and his profound embodiment of the legendary writer and activist Quentin Crisp in the TV biopics ‘The Naked Civil Servant’ and ‘An Englishman In New York.’ He will be remembered by sci-fi  connoisseurs across the globe for playing Kane in Ridley Scott’s classic ‘Alien’ and Winston Smith in the silver screen adaptation of ‘Nineteen Eighty-Four.’ He also managed to solidify his place in the consciousness of a new generation of film and television fans as Mr Olivander in the ‘Harry Potter’ franchise and the War Doctor in the 50th anniversary episodes of ‘Doctor Who.’

Hurt’s prolific and unpredictable career saw him flit from gritty dramas to popcorn movies, constantly reinventing himself with each new picture. An outstanding actor whose passing has affected thousands of film-buffs, TV-lovers and theatre-goers the world over, but the sorrow we feel after his loss can be instantly soothed as we remember the great man’s amazing body of work that will render him forever immortal.

A Book Review: An Other Place by Darren Dash

I recently had the privilege of receiving an advanced copy of Darren Dash’s new novel to review, it has been a true thrill to be one of the first people to cast an eye on the latest work from the talented Mr Dash. Here are my thoughts.


An Other Place is the third novel by Darren Dash the adult alias of bestselling YA author Darren Shan. Darren’s tales of vampires, demons and the un-dead have chilled the spines of millions across the globe and earned him the title of the Master of Young Adult Horror. But although a healthy helping of gore and scares are guaranteed in his books for younger readers, all of the author’s adult works have taken the reader in a multitude of diverse new directions and An Other Place is no exception.


The novel tells the intriguingly bizarre story of Newman Riplan, an excessive self-centered I.T. wizard whose world is turned upside down when a weekend-long drink and drugs binge charts the course for a bewildering journey.


When we first meet Newman Riplan, the self proclaimed King Kong of troubleshooters (or I.T. Engineer in plain English), he is in Amsterdam vanquishing viruses from corporate computer systems. While the pretentious Mr. Riplan is at the top of his industry, he has always played harder than he’s worked and the lure of the city’s red light district and his penchant for ladies of the night soon draw him away from his desk.


As he’s enjoying the sights and sensations of the city, Newman discovers his old mates Hughie and Battles are in town, and they quickly resolve to meet-up for drinks. As the pages turn, a few pints swiftly transform into a narcotics-fuelled spree, and when Newman finds himself on a plane full of seemingly inanimate wax mannequins, things take a disorientating turn that would leave Hunter S. Thompson scratching his head in disbelief.



An Other Place is a deliciously quirky novel that is surreal and powerful in equal measure. In the pages of the book Dash has crafted a meticulously detailed alternate reality complete with its own folklore and societal eccentricities. Another standout feature of the story is how well the author amalgamates genres, mixing together sci-fi and horror with fantastical elements to create a wonderfully weird cocktail.


Its immersive storyline drags the reader back and forth between light-hearted scenes underscored by black comedy to morally questionable sequences that hit with the impact of a locomotive.


This is by far Dash’s best work to date. It is challenging and absurd, artistically brave and politically conscious, but this abstract painting of a novel is one thing above all else…

completely original.


The Creative Yin and Yang

This is a story that has gone through various incarnations in its time and an earlier version of it was aired on the amazing ‘Mailman’s Survival Guide to the Galaxy’ podcast. I first wrote it a while ago when I started to notice a recurring feature that can be found lurking in the backstory of countless great artists from multiple mediums. The link between creativity and melancholy is one that intrigues and terrifies me in equal measure and after hours spend  pondering exactly what it is that haunts the souls of so many talented people, I think I’ve worked out the answer.    


There is a powerful force that silently possesses all of mankind’s artists. It is the energy that drives their consciousness and determines their worldviews. It is there at the hazy inception of the idea and the happy conclusion of the piece, watching and interjecting. From the first cave drawings, etched in stone by prehistoric visionaries to the last hypnotic swirl in the skyline of Van Gough’s Starry Night, it has always been there in the soul of every creator.


It is an intoxicating entity that resides within authors, coursing through their bodies as they write their narratives, filling each paragraph with flowing prose and vibrant imagery. It inhabits the minds of artists as they paint their masterpieces, slides down into their arms and governs the placement of every colourful brushstroke.


It is the force that reinvigorates the hands of poets as they hold their tired pens and waits in the corners of rappers mouths as they recite their bars to lively crowds.


It surges through the cores of actors as they begin to embody their roles, helping them remember their lines and capture the nuances of the scenes.

It departs the actors on the sets as they prepare for their first takes and disappears behind the cameras where the directors lay in wait. Into the filmmakers’ heads it goes, dashing from sequence to sequence, as it brings the scripts to life in their imaginations and quickly clarifies the last few muddled shots before the cameras start to roll.


It plants melodies and lyrics into the hearts of singers as they perform on stage and makes itself comfortable within the fingers of musicians as they strum their guitar strings.


It is both a blessing and a curse; as harsh as it is wise and as cutting as it is generous. It is the insightful deity that enables fledgling talents to ascend to the top of their mediums and the cold-hearted demon that fills them with self-doubt.


It guides the hands of writers and journalists, giving them the fuel to meet their deadlines, but it leaves them to cower behind their computers as their next assignments arrive.


It is both friend and foe to thespians and comedians, as it supports them on the stage but it shrouds them in despondency when the curtain falls again.


It abandons poets and sculptors as they beg for the muse to arise, leaving them alone in their misery before returning to work its magic at another time.


It is the entity that lets them feel emotions deeper as they experience life’s pleasures and pains, allowing them to see the sun shine brighter as they bask within its rays.


It is beautiful and callous, triumphant and cruel.


It is the tightrope of madness and genius that all creators walk.


It is the creative yin and yang.